RADICAL AS FOLK: THE EMERYVILLE MUDFLAT SCULPTURE GARDEN delete Each of the nineteen letters

Each of the nineteen letters is illustrated by a portrait of the young father carrying out an appallingly banal exploit that is supposed to excuse his absence

Joan Didion’s The Year of Magical Thinking

visibility is often misunderstood as participation but in reality constitutes an exploitative condition

outline and the interplay of two-dimensional and three-dimensional space

RADICAL AS FOLK: THE EMERYVILLE MUDFLAT SCULPTURE GARDEN delete Each of the nineteen letters98pp, 8 x 10 in., Perfect Binding, Limited edition 12x18 Risograph poster (folded), Third printing of 200, Text by Joey Enos, Photographs by Robert Sommer, Courtesy CCA C Archive, 2024. In the wake of the 1960s, while the Bay Area shook with political and social change, a radical sculpture garden bloomed on the side of Interstate 80, pushing the boundaries of public art. An anonymous, drive through environment on the edge of the San Francisco Bay, the