Wind Blown Leaves — Giclée on Paper Mammals the dark fur at the

the dark fur at the legs and paws against the lighter shoulder — all of it is anatomically exact and compositionally fearless

shows Glen working in pure drawing: the cougar's form dissolving at the edges into loose gestural marks that suggest grass and heat shimmer without defining them precisely

the sky holding just enough reflected light to distinguish cloud from clear

Bobbie Kalman

Wind Blown Leaves — Giclée on Paper Mammals the dark fur at theAutumn leaves caught in the wind the composition built entirely from leaves at different stages of fall and flight, some still holding their autumn colour, some bleached by earlier frosts, all in motion or suggesting motion. This is Glen working in pure abstraction of natural form: no animal, no ground, no sky just the leaves themselves as a compositional subject. The painting demonstrates Glen's commitment to the full range of natural subjects the