Brett Whiteley 'The Back of the Asylum, St Remy (Another Way of Looking at Vincent Van Gogh)' nudes 'hoodwinks and lyres studies for

'hoodwinks and lyres studies for volumes II'

Annigoni’s extraordinary ability to capture likeness and psychological presence is fully evident here

The frame is new

'Untitled (Terrace Assembly)' 1973

Brett Whiteley 'The Back of the Asylum, St Remy (Another Way of Looking at Vincent Van Gogh)' nudes 'hoodwinks and lyres studies forWhen Brett Whiteley was thirteen years old, he found a tiny book on Vincent Van Gogh lying on the floor of St Stephens Church in Bathurst. The moment was catalytic. Despite existing in a time and place far removed from rural New South Wales, he immediately resonated with Van Gogh. Like the latter, Whiteley perceived the world with a unique intensity he identified as expandingness. In this work, Whiteley pays homage to his artistic hero. It also,